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CAN'T LIVE WITHOUT: Family. Friends. Hounds. Books. The Beach. Autumn. Cameras. Computer. iPhone. The color orange. Caramel frappucino. The words "dude!" and "nice!". Oh...and world peace ;-)

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20 November 2013

:: D the Great | washington dc children's photographer ::

I’m gonna walk a hundred miles,
I’m gonna whistle all the while,
If that’s what it takes to make me smile,
I’m gonna walk a hundred miles.

I’m gonna rend right up this hill,
Summer sky or winter chill,
If I gotta take a break I will,
But I wanna rend right up this hill.

I wanna hold the whole wide world
Right here in my open hands,
And maybe I’m just a little girl,
A little girl with great big plans.


I’m gonna go and take a chance,
I’m gonna learn to ballet dance,
Learn a little something about romance,
I’m gonna go and take a chance.

I’m gonna live a crazy dream,
Impossible as it may seem,
Doesn’t matter what the future brings,
I’m gonna live a crazy dream.

I wanna hold the whole wide world,
Right here in my open hands,
And maybe I’m just a little girl,
A little girl with great big plans.

~"Whole Wide World" by Mindy Gledhill


19 November 2013

:: Photography Tips + Tricks : the trifecta of shooting in manual mode ::

It dawned on me last night that I didn't keep my promise to talk about how to shoot in Manual mode! Although I hope you found last week's tips + tricks on ordering photo cards helpful ;-)

As I mentioned, shooting portraits in Aperture Priory mode will get you pretty awesome results with the right lens (aperture of F/2.8 or lower). However, shooting in Manual mode allows you to customize your photographic "look", which in turn helps you tell your story by strengthening your point of view. For instance, if you like airy, light, ethereal images, you would probably set your exposure slightly higher (overexpose) than what the camera's meter tells you. On the other hand, if you like dense, dark, moody images, you would probably set your exposure slightly lower (underexpose).

Remember, exposure comprises of three major elements that I'd like to call the Trifecta of Exposure: Aperture, ISO and Shutter Speed. While the Trifecta operate in different ways, their shared primary function is to regulate how much light enters through the lens and into the camera.

When I'm doing an onsite shoot with younger children, it is nearly impossible to adjust my camera settings for every single shot. So instead, I survey the environment and the conditions around me and ask myself these questions. By answering these questions (in sequence), I could then make educated guesses on how to adjust my camera settings for a particular situation:

Is the background distracting or complements the story that I'm trying to capture? How blurry do I want the background?

This is the setting that I lock down FIRST when I shoot. I'm a sucker for a creamy, blurry background. I think it highlights my subjects rather well. My lens is usually set between F/1.2 to F/2.8 for this purpose. However, sometimes you may want to rely on the background to help you tell the story. In that case, you could dial up the F-stop to F/4.0 or F/5.6 for a single subject, or up to F/8.0 for a large group of people. Remember:

Low F-stop --> wider aperture --> more light into sensor and shallower depth of field (DOF) --> more exposure and blurrier background

How much light do we have? Are we in full sun, open shade or indoors?

Once I set my Aperture value, I then try to understand how much light and the type of light I am dealing with, so that I could set my ISO to a specific value and leave it there. For instance, if I am in full sun with tons of brilliant fall light, I would opt to set my ISO at 200, or even 100 for less sensitivity and more color. If I am in open shade or cloudy condition, I would set my ISO at 200 or 400 for more sensitivity. If I am indoors with limited natural light, I would set my ISO at 800 or above for the most sensitivity. EXCEPTION: if you have a lens that will allow you to shoot wide open at F/1.4 or F/1.2, you could set your ISO lower in low-light conditions; a lower ISO will give you images less noise (dark speckles that make your images fuzzy) and better color saturation. Remember:

Low ISO --> less sensitivity --> less light into sensor --> less noise and more colors saturation

How mobile are my subjects and how fast are they moving?

As any parent knows, taking photos of moving children can be tricky to say the least. In order to capture a moving subject and still remain sharply focused, you would need to set your shutter speed at 1/125sec at the minimum, preferably at 1/250sec or higher. At a shutter speed less than 1/60sec, you will need to use a tripod in order to avoid motion blur. If you find, at this point (with the Aperture and ISO already set), you need to dial down the shutter speed to below 1/125sec, then you could adjust the Aperture to a lower f-stop or adjust the ISO to higher sensitivity. This all depends what is more important to you -- blurry background or color saturation. Remember:

High shutter speed --> shutter open for less time --> less light --> capture faster motion

Since shutter speed is the easiest of the Trifecta to change, it's the only adjustment I make when I need to adjust exposure mid-shoot. 

With practice, you could be shooting in Manual mode like a pro in no time!

F/2.8, ISO 400, 1/125sec  --> I set the Aperture at F/2.8 because I wanted to focus on the girls and the pink balloon, while at the same time include the picnic shelter beyond to tell the story in context. It was a cloudy moment during the day, so I picked ISO 400 to avoid too much noise but still be able to capture the strong colors of the surrounding foliage. Lastly, because the girls are just sitting quietly, I was able to use a slower shutter speed and keep the subjects in sharp focus.







12 November 2013

:: Photography Tips + Tricks | ordering photo holiday cards ::

With the availability of online services such as TinyPrints and Minted, it is now easier than ever to order beautiful photo holiday cards whenever you want, and wherever you want. With thousands of expertly designed cards to choose from, you could preview each design by uploading and inserting your own digital photo(s) or professional photos from your favorite photographer.

PHOTO SUBMISSION GUIDELINES
courtesy of Minted.com
While the process seems easy enough, here are some tips + tricks to help you get the best results (as suggested by TinyPrints & Minted):
  • Originals -- always upload original photos from your digital camera or from your photographer (not cropped or resized).
  • Resolution -- always shoot at the highest resolution possible, and upload the highest resolution possible (but less than 25MB each).
  • File format -- .jpg.gif, .png, .bmp and .tiff.
  • Sharpness -- choose images that are in focus. Blurred images from poor focus and motion do not print well.
  • Exposure and light -- choose images that have proper exposure and are well-lit. Dark images do not print well. Natural light is best, but preferably not in direct sunlight. If you need to use a flash, stand at least 3 feet away from intended subject. If you need some guidance, please check out my Tips + Tricks about how to find outdoor light.
  • Shop early -- goes without saying, as these services become more busy closer to the holidays, and often will take longer to print and ship.
  • Take advantage of free-shipping offers by shopping early.

courtesy of tiny prints.com
PREPARATION
To ensure a timely send-off of the cards once they arrive, you could do these things in advance:
  • Gather all the addresses you plan to use
  • Input address into the computer as an electronic list using Excel, Word, Notes etc.
  • Buy address labels from Staples, Office Depot or the Paper Source etc.
  • Paper Source has some beautifully shaped labels if you want something more unique.
  • Download the appropriate template(s) for the address labels.
  • Copy and paste names and addresses into the label templates. Print.
  • Alternatively, for a more polished look, you could stock up on printer cartridges and print directly onto the envelopes. This is more time intensive, but this is my preferred method.
  • For the return address (your address),  I like using a custom designed stamp from the Paper Source. There are 160+ designs to choose from. Stamp your address onto the backslap of the envelope for a clean, modern look.
  • You could also order matching, pre-printed return address labels from the printing services.
I hope these tips + tricks will help you streamline the holiday card sending process and leave you more time to enjoy your holidays!

07 November 2013

:: the A boys | washington dc family lifestyle photographer ::

It is always so much fun to work with children who are playful and full of energy. These three handsome boys not only kept me on my toes, but they showed me the joy of being a kid. Sneak peek into our recent session...more to come!


06 November 2013

:: Z + H | washington dc family lifestyle photographer ::

I've had the pleasure of photographing Z + H three years in a row. They always manage to brighten my day with their beautiful, innocent smiles and gorgeous baby blues. More to come soon...in the mean time, here's a preview of this year's session:






:: Simple Steps to Spectacular Holiday Photos | Huffington Post ::

Yay! BINKIES + NOSEPRINTS {PHOTOGRAPHY} is once again featured in the Huffington Post! Check out my tips on composition, as well as other helpful advice from my fellow photographers on how to take spectacular holiday photos at home.

05 November 2013

:: Photography Tips + Tricks | {which shooting mode to use for portraits} :

After I bought my first dSLR, I read the instruction manual from cover to cover like a nerd. It was great learning about the various capabilities and limitations of the camera, but I couldn't really figure out which shooting mode(s), other than AUTO, would be better for shooting portraits. AUTO mode worked ok in settings with plenty of natural or artificial light, but when I tried shooting in low-light situations, the onboard flash would !POP! up and ruin the shot. By the way, if you don't already know this -- I despise onboard flashes. The mere swishing sound of one rearing its ugly head makes me cringe every single time.

Which mode is better for portraits then? We like the convenience that the AUTO mode offers us, but we don't like how it performs in low-light situations. We also like a creamy, blurred background that will help accentuate our subjects. So in order to shoot more effectively, setting the camera to Aperture Priority (AV in Canon or A in Nikon) mode seems like a good bet. Aperture Priority mode allows us to control the Aperture, while the camera automatically adjusts the shutter speed and ISO for proper exposure.

However, you must keep in mind that in low-light conditions, the shutter speed will often become so slow that it becomes impossible to hand hold the camera and still capture clean, sharp images (usually anything slower than 1/60 sec). In that case, you could also manually set the ISO according to your shooting condition (e.g. 200 for a bright, sunny day outdoors, or 1600+ for a dimly lit room indoors), and the camera will then only automatically adjust the shutter speed for proper exposure.

But at which aperture/f-stop value should you shoot when in AV mode? For most portraits, an aperture value of f/2.8 is more than sufficient. However, in extreme low-light conditions such as Trick-O-Treat night, you'd want to stop down the f-stop as much as possible so that the aperture is as wide open as possible. An f-stop value of 1.2 or 1.4 or 1.8, paired with a high ISO value will allow you to do marvelous things in near darkness.

What my eyes saw
What my lens saw: ISO 3200, F/1.2, 1/60 sec

Alternatively, you could also shoot at f/1.2 or 1.4 or 1.8 on a sunny day, which will allow you to set the ISO to 100 or 200 for maximum color saturation, blur out any distracting background, and capture high-speed motion at the same time. But be careful. Because the Depth of Field becomes extremely shallow at low f-stop value, focus and sharpness becomes a concern when shooting close-up portraits. If you focus on the wrong feature on the face (i.e. the nose instead of the eyes), then the nose would be sharp and in focus, while the eyes become blurry and muddy. So choose your focus point wisely; generally try to focus on the eye that is closest to the camera.

ISO 200, F/2.8, 1/500 sec


Once you've got the hang of shooting in Aperture Priority, you are only a short hop, skip and jump from shooting in full Manual mode! Next week, we will talk about how to shoot in Manual mode (it is much easier than you think) by manipulating the "Triumvirate of Exposure."

04 November 2013

:: Little D | washington dc family lifestyle photographer ::

Finally...FINALLY...I got a chance to meet this adorable little girl in person! Remember when she was still in her beautiful mama's belly?



...and here she is, at six months of age, cute as a button and with the most squishable cheeks ever!